2021 上半年台灣 Blockchain 生態系地圖,開啟大眾市場的關鍵一刻

原始檔案下載:Taiwan’s Blockchain Ecosystem Map First Half 2021

Ching Tseng, Associate (曾意晴 / 投資經理)

負責區塊鏈投資,尤其專注東南亞市場。學生時期曾於 AppWorks 實習一年半,2015 年政大企管系畢業後正式加入擔任分析師,主要參與投資案相關業務,最得意的案例是協助 CHOCO TV 從 A 輪一路到被 LINE 併入。是我們的年輕人趨勢專家,2019 正式升任經理。平常熱愛嚐鮮、美食以及旅遊。

2021 上半年,大眾對區塊鏈發展的關注度,達到了歷來的高點。隨著去年底,越來越多機構與企業進場持有比特幣,以及在新聞媒體接力報導下,比特幣幣價在今年三月,首度突破 6 萬美元,對於區塊鏈圈的創業者,今年以來,肯定對於來自親友們的問候與請教不陌生,因為大眾迫不及待的想了解區塊鏈究竟是什麼。

區塊鏈圈自身更不用多說,除了整個牛市把主流幣推升到高點後,也把 2017 年那段 ICO 發的多數非主流加密貨幣,再次拉抬起來;另外一個重要焦點,則肯定是在 NFT (非同質代幣) 身上,各種百花齊放的 NFT 應用,從大型品牌、IP、明星到個人創作者,紛紛湧上各路平台發行 NFT 參與盛況,連帶為區塊鏈的普及發展,另創一波浪潮。

AppWorks Accelerator 每半年更新一次「2021 H1 台灣 Blockchain 生態系地圖」(Taiwan’s Blockchain Ecosystem Map First Half 2021) 的過程中,我們觀察到 2021 上半年三個值得注意的趨勢:

1. 品牌加速終端用戶進場 NFT

NFT 協議從 2017 年就被制定以來,究竟為何在最近一年可以帶起這麼大的風潮?主要來自兩個關鍵原因。第一個原因,是有越來越多自帶粉絲的主流品牌與 IP,開始透過 NFT 與粉絲互動,在疫情之下,許多知名的 IP,都少了很多實體機會與粉絲互動,而透過 NFT 打造虛擬體驗,是一種維持粉絲黏性同時又能變現的應用。

第二個原因,則是 NFT 成為建構在加密貨幣上資產的重要出口。在 2017 年那一波 ICO 的浪潮中,多數區塊鏈的參與者或投資人,不是忙著發幣,就是忙著發掘下一個會有數百倍成長潛力的加密貨幣,在開發端的餘裕,相對並不如現在充足,而到了 2020 年,在經歷一波 DeFi 熱潮後,則再次提升人們手中的加密貨幣資產,NFT 在此時登場,為大眾提供一個消費新管道,再加上不少 NFT 擁有增值空間,兼具消費與投資功能,是人性中對於追求財富增值的動機,加上大品牌加持,共同推升了 NFT 升空。

在台灣,NFT 也較上季有所進展。例如,AW#20 校友 Lootex 和 KKBox 旗下的 Oursong ,算是起步相對早期的團隊,早在這波熱潮以前,就已經在 NFT 以及區塊鏈領域有ㄧ定經驗,並在經歷幾輪牛熊市後仍然繼續堅持,讓過去累積的能量終於開花結果,成功拿下了不少合作機會。在這段時間,我們也看到許多新的 NFT 平台崛起,如 Jcard 以及 Fansi 等,為創作者提供更多元的平台選擇。

或許有很多人會認為現在不少 NFT 價格炒得很高,有泡沫化的趨勢。但還是老話一句,有錢的地方就有人才,有人才的地方就有發展。如今多數 NFT 還是以數位收藏品為主,未來任何需要使用數位 ID 的產品、服務或應用,都有機會透過 NFT 來使用,未來發展仍大有可期,期望台灣團隊,能抓住 NFT 相關的發展機會,在這個近乎沒有地域限制的市場裡,跟緊國際腳步。

2. 遊戲規則逐漸明朗

在台灣,過去幾年來對於加密貨幣相關的法規,一直尚未明朗,大家只能依循著原本的法規,或者國外的案例來參考。今年四月,行政院頒布的院臺法字第 1100167722 號令裡,為更加完善洗錢防制法,關於加密貨幣交易的規則明朗許多,面對新的規範,多數台灣的法幣出入金交易所,本身就有做嚴格的 KYC,影響應該不大,不過其他耕耘 DeFi、借貸及投資的區塊鏈團隊,或許會面臨比較大的挑戰,尤其 DeFi 相關的服務,要如何在去中心化的服務裡,設計出符合法規卻有不違背原本精神的用戶體驗,確實有難度。期待未來有更完善的法令規範與執行,能在保護終端用戶的情況下,不阻礙台灣區塊鏈產業的發展。

3. 人財湧進,醞釀未來發展

乘著比特幣的價格達到歷史新高,整個產業的活躍程度也受到投資人關注。例如今年五月,台灣創業已四年的 AW#19 校友 Dapp Pocket,宣布被 17LIVE 共同創辦人潘杰賢的 家族投資辦公室 Turn Capital 收購,也已將旗下兩款產品 Dapp Pocket & Cappuu 合併為 Coinomo,目標前進東南亞市場,為主流族群打造進入加密貨幣的入口。同時,另一個台灣開發錢包的新創、AW#19 校友 Portto,旗下產品 Blocto 為最早支援 Flow 的錢包之一,也是當今最多用戶 Stake Flow Token 的節點,成長速度飛快的他們,也在近期宣布完成一輪 880 萬美元的募資,投資人包括頂級區塊鏈創投、矽谷科技創投、台灣科技創投、加密貨幣交易所、公鏈團隊、NBA 球星、知名美國企業家等。

此外,即將於 8 月開始的 AppWorks Accelerator #23,也宣布新增 Flow 為平台夥伴。將結合 Flow 生態系的資源,協助運用區塊鏈、NFT、DeFi 技術的創業者與新創,能更快速、順利在 Flow 上建構新的去中心化世界。 

在 2021 年上半年的尾聲,儘管幣價從五月開始進入明顯回檔,但過去這半年所累積與醞釀的能量,在下半年無論是 DeFi、NFT 或者企業端的區塊鏈產品、服務與應用,都值得可期。同時,也陸續有國外的區塊鏈新創,開始在台灣招募團隊,例如 Animoca Brands,亦可望為台灣區塊鏈產業培養出更多人才以及發展機會。

Taiwan’s Blockchain Ecosystem Map First Half 2021 由 AppWorks,以及 Blockchain 媒體 Blockcast 區塊客 (AW#14)、BlockTempo 動區 (AW#16)、Zombit 桑幣筆記 (AW#21) 聯合製作,每半年更新一次,有任何指教與建議,請 email 至 [email protected]

【歡迎所有 AI、Blockchain、NFT 與目標東南亞市場的創業者,加入專為你們服務的 AppWorks Accelerator

你的創作就是你的!NFT 為 Creator 帶來的新世界

Jessica Liu, Partner (劉侊縈 / 合夥人)

主導東南亞市場以及區塊鏈領域的投資,擅長激發創業者的潛能,熱愛與他們討論商業模式。2010 年進入渣打銀行負責數位行銷和產品線上跨售,讓她燃起對 Consumer Internet 的熱情,2014 加入 AppWorks 擔任經理,先後負責加速器、東南亞投資案等,2019 年升任合夥人。畢業於南加州大學 (USC) 商學系,談到美食和旅行時,眼睛會發亮。

NFT 在 2021 上半年經歷了雲霄飛車般的歷程。根據 NonFungible.com 的統計,全球 NFT 的成交金額,從二月份開始持續攀升,並在五月初月成交金額來到這波熱潮的巔峰 3.2 億美元 ,再回到近期的 5,000 至 6,000 萬美元之間。這段期間,包括 Beeple 的「Everydays: The First 5,000 Days」作品,以 NFT 賣了 6,900 萬美元;LeBron James 的一個灌籃動作,以 NFT 賣了 20 萬美元等令人瞠目結舌的交易。在這短時間內的巨大震盪,令人不禁懷疑,這會不會又是繼 2018 年 ICO 後,另一個區塊鏈的泡沫?

Source: NonFungible.com

事實上,若我們回顧過往的歷史,當每一個泡沫過後,其實都能將產業發展推升到另一個高峰。例如,在 21 世紀初期的 Dot-com 泡沫後,仍然留下了 Amazon、Google、Netflix、PayPal 等創新不斷的偉大企業,甚至開啟了之後 Mobile Internet 典範轉移下 Facebook、Uber、Square、Snap 相繼崛起的美好年代。 

而 2018 ICO 浪潮退燒後,雖然加密貨幣走入熊市,但區塊鏈產業的長期價值,仍在持續提升,根據 CoinMarketCap.com 的統計,全球加密貨幣的整體市值,從 2018 年初高點的 8,300 億美元,繼續成長到 2021 年一度突破 2.4 兆美元,儘管資產價格上上下下,但區塊鏈產業的整體價值成長,並未隨著 ICO 退潮而結束。

Source: CoinMarketCap.com

與其探討 NFT 是否為另一個泡沫,我倒覺得,探討 NFT 實質上創造哪些價值、解鎖哪些成就,將更有意義。

從最基礎的來看,NFT 讓 Creator (創作者) / Curator (策展人) 開啟了另一個市場。不管名氣高或低的藝術家甚至是品牌,過去近一年來,都競相發行 NFT。有趣的是,實體世界的藝術品,對一般大眾來說,單純只有收藏、買賣兩個功能,但在 NFT 的世界,應用可說是百花齊放。以純數位的 NFT 而言,購買的方式則十分多元,例如要先解題或擁有某些東西,購買者本身也有機會成為藝術創作的一部分 (Programmable),就像藝術品收藏項目 Hashmask,購買者能為藝術品命名。

這類在 NFT 發展初期,出現的各種原生消費行為,與其說是購買單一數位藝術品,這些行為更像是買了這個社群的會員資格,可說是數位身份的象徵。當人人都把 Twitter 上的個人頭像,換成自己擁有的 Bored Ape 時,另一種數位身份 (Digital Identity) 的認同與價值也就此展開。而在數位當道的時代,數位身份比現實世界的身份地位來得更重要。如同 Hashmask 在自己的 Blog 寫道:

Sometimes I feel that our digital sense of identity has already surpassed our physical sense of identity in terms of importance. This holds true, particularly among younger generations. Nowadays, having an Instagram-worthy photo of a moment seems to be more important than the moment itself. And the trend will only accelerate, not go back. In the near future, our identity will most likely be fully digital. Who you are online will be more important than who you are at home and in the physical world.

Source: Twitter

而 NFT 防偽造和紀錄永遠寫在鏈上的特性,也使得它的應用,可以延伸到真實世界中。例如,某場 NBA 比賽的主場球隊,透過球隊 App 直接販售 88 張 NFT 紀念球票,除了迅速銷售一空外,不難想像這些 NFT 擁有者,未來將有他們專屬的活動,而這些 NFT 除了是球票外,也可能成為 Backstage Pass 等。

更進一步想要探討的是 NFT 開啟的 Creator Economy。如何讓創作者能夠直接享受到流量帶來的收益算是老掉牙的議題了,訂閱或直播打賞都是 Internet 下的產物。但直到 NFT 的出現,才找到每個產業環節的平衡。

時間往回推 10 年,Internet 下放了獲取知識的成本,社群媒體打開了媒體與創作者面對大眾的管道,造就出人人都可以是網紅或 YouTuber。當人們每天在社群媒體發文,上傳照片、音樂甚至是影片,也將這些檔案複製到 Facebook、YouTube、TikTok 等平台,在複製貼上的同時,也等於把內容的擁有權轉給了平台,當社群平台運用這些內容變現,賺取巨大的財富後,這背後的反撲,便是你我熟知的個資、反壟斷等問題。

我們看過很多新創團隊試圖要解決這個問題,例如推出訂閱制,讓做出好內容的人,也可以享受到應得的經濟價值。然而,這存在著一個本質矛盾,想像一位歌手創作出一首歌,當然會希望越多人聽到甚至是喜歡才會是最大的滿足,但設一個付費或訂閱的門檻在前面,直接就限制了能接觸到這首歌的聽眾,經典好歌的定義應該為何?究竟是讓最多人翻唱、欣賞,還是創造更多訂閱、銷售?Internet 現行的數位內容機制,並無法解決這個本質矛盾。

另一個更本質的問題是,不管哪種商業模式,都仍然會被各種數位、社群平台掐著脖子。今天 Instagram 封鎖了你的帳戶,或 App Store 下架了你的 App,甚至 Facebook 降低觸及率,你都可以向平台反映,但最後決定權仍然在不在你的手裡。遊戲玩家在某個遊戲裡買了一個虛寶,這個物件表面上屬於遊戲玩家了,但他並不能讓遊戲玩家決定是否能在其他平台使用。原因就是,這些數位資產的擁有權,都不屬於創作者或購買者個人,而是由各種平台宰制。

Source: 蘇怡寧醫師愛碎念 FB 粉專

NFT 的特性,讓這些問題有機會被突破。它在大眾都能觸及的情況下,清楚記載這個內容的原始創造者和之後的分潤機制。甚至未來每一次的轉手或再創作,原始創作者也都能持續受惠。當你我有辦法掌握所有權時,創作者與平台間的力量,才有機會平衡,而資產的價值,才能真有機會賦能更多創作者。

當人們擁有可靠的民主自治機制,財產所有權不需要靠單一政府保障,這才是人權真正的進步。

【歡迎所有 AI、Blockchain、NFT 與目標東南亞市場的創業者,加入專為你們服務的 AppWorks Accelerator

Photo by Pensive glance from VisualHunt


Making Key Hires in New Markets: Trust and Empowerment over Capability

David Wu, Associate (吳戴文 / 投資經理)

David is an Associate mainly focused on investments. He previously lived in the US, but was drawn to the Greater Southeast Asia region by the growth opportunities and the wonderful people here. He spent the first five years of his career as a consultant at IBM, where he became intimately familiar with the enterprise software and services needs of Fortune 500 companies. Later, he focused on building predictive models and solving optimization problems for large companies, and gained an appreciation for the role of data and algorithms in our lives. He joined AppWorks in 2020 after receiving his MBA from Columbia Business School, and also has a B.S. in Mathematics from the Ohio State University. In his free time, he tries to stay active and is always looking for opportunities to hike or trek, often seeking the trail less traveled.

Hiring is a tricky thing no matter who you are and what the role is. But it’s doubly hard when you’re a startup founder and you’re making a key hiring decision in a new market you’re expanding to — you can’t afford to make any personnel mistakes this early on, especially when runway is limited and potential investors are gauging your execution on a promising new source of growth. And with advances in technology and globalization, the opportunity to enter another market has never been available so early, magnifying the importance of getting things right as a growing startup.

However, there are a few pitfalls that we as leaders and organizations succumb to at times, which can disproportionately impact hiring decisions in new markets. It’s good for leaders to be aware of these early on, well before you are ready to make such a hire, as it could take a bit of marinating to gain self-awareness. Here’s how people often go down the path of making the wrong hire:

Humans hate uncertainty… You’re expanding into a new market — a market that you’ve perhaps visited many times, whose people you’ve worked with and partnered with in the past, and on which you have done plenty of research. But let’s face it, if we’re being honest, when it comes to truly understanding the market, we can’t hold a candle to a native. And that’s totally okay! We can assess the uncertainty of the market, think of all the ways we might be wrong, all the ways we might fail, and all the ways we could hire the wrong people, and come up with a course of action which maximizes our expected return. Right?

You’re expanding into a new market — a market that you’ve perhaps visited many times, whose people you’ve worked with and partnered with in the past, and on which you have done plenty of research. But let’s face it, if we’re being honest, when it comes to truly understanding the market, we can’t hold a candle to a native. And that’s totally okay! We can assess the uncertainty of the market, think of all the ways we might be wrong, all the ways we might fail, and all the ways we could hire the wrong people, and come up with a course of action which maximizes our expected return. Right?

Unfortunately, that’s just not the way we are wired. Humans hate uncertainty. A 2016 study found that our stress levels were directly correlated to the uncertainty of the outcome, rather than the outcome itself. Not knowing how we’ll do on an exam is more stressful than being certain we’re going to fail. Receiving a call from your boss out of the blue is more stressful than knowing that she’s calling to fire you. And not knowing whether or not your startup will live is always more stressful than knowing it’s the end of the road.

So as humans, our instinct is to minimize this stress by suppressing the uncertainty. Despite the fact that external information is always incomplete and there are many types of uncertainties we have to deal with around hiring for a new market, in our mind we make things easy. We need to make ourselves feel in control. The kicker is that the same study found that our performance level increases with uncertainty. Feeling uncertain actually brings the best out of us, which makes quashing the uncertainty even worse.

…So we often latch on to our own organizational ideologies. Everyone has their own ideology based on what we have experienced in life. And when we are faced with key decisions to make, our ideology is what determines our decision. In the uncertainty of hiring for a new market, we suppress the stressful unknowns and default to something—anything to reduce the stress and give us some sense of control. So we default to our organizational ideology — it’s clean, easy, and certain. We hire the smartest person. And the smartest person, as we all know, is the one who most agrees with you — the one who conforms to your ideology the most. 

Ideologies come to dominate organizations. And why wouldn’t you hire the person who fits the most into your ideology? Everyone successful at the company is like that. That is because of the systematic entrenchment of ideologies in organizations — through mentoring, feedback given to employees and through the interview process. People who don’t agree with the ideology don’t get in the door, and those who do get in the door are constantly pushed to conform even more. At some point you can’t even imagine working with someone who doesn’t share the same general views. Why wouldn’t you hire the person who agrees with your ideology? After all, the company has been successful and the ideology has worked so far. With everyone on the same page, it decreases the need for bureaucratic control and increases efficiency. There’s just one problem.

The organizational ideology doesn’t always transfer to the new market. We don’t actually understand the local market that well. We don’t fully understand how it’s different from our home market, and that our ideology might not be 100% the best fit for our new market. As you’re interviewing candidates for key hires in the new market, they may express views about which users to target, how to market the product, and how to build the organization on the ground. Chances are, if the person is a native and the market is different from your home market, you will have some disagreements. This is normal and a product of you being an outsider and living in your ideology, so you should think twice before dismissing such a candidate as you would if you were hiring for your home market.

Joel Leong, founder of ShopBack (AW#13), APAC’s leading cashback rewards platform, now in active nine countries across the region, has often spoken to us about not just hiring a local person to lead the new market, but fully empowering them and giving them the leeway and resources to execute the plan that they have developed, as if they were a founder themself. Joel often moves to the new country himself for several months at the beginning of each market entry to fully grasp what’s happening on the ground, but always passes on the reins to the country manager after setting up the local team.  

We reach for control over local creative units. What’s even more dangerous is that we tend to feel most strongly about creative units like marketing and local product design. Many founders and organizational leaders are well-traveled global citizens who may have even studied and worked abroad. We may overestimate how well we actually understand the customer and how they respond to the product or the marketing. When local managers are telling you something that seems totally unintuitive given what you know about something subjective or creative, our first reaction will be to resist. This is in contrast to non-creative units like finance, IT, or production — boring stuff where local requests are usually approved without a second thought. Of course, the success of entering a new market often hinges on the creative aspects, so leaders should be mindful when hiring or evaluating local resources here.

CK Cheng, founder of AsiaYo (AW#12), the Series B travel booking platform which has raised $10 million to-date, shared a few experiences with me on this topic. At the outset of market expansion, AsiaYo used a centralized decision-making structure. “I made the decisions whenever I had a strong opinion, and I would take responsibility for them,” he says. 

But later, as they expanded deeper into Japan and Korea and now Southeast Asia, they shifted to a decentralized structure covering their large geographical footprint. Why? “I realized my hit rate was so low [making the correct decisions]” he laughs. “Now, it doesn’t matter if I feel strongly about something or not – I’m not the person on the ground. So I spend more time making sure that the decisionmaker has a good decision-making framework, and is connected to the right stakeholders in the organization, so that they don’t need to consult me.”

CK describes his current hiring approach in new markets as “trust over capability” – placing more emphasis on trusting the candidate over his own subjective evaluation of their capability. To increase this trust, he stresses finding people recommended within his close personal network – both his Japan and Korea country managers were second-degree connections. By hiring based on trust and track record, he doesn’t need to worry about being on the exact same page in terms of strategy and approach.

So what can we do?

I think the first step is just awareness — being aware that all people have certain tendencies that are ingrained in our psychology. And that sometimes it works for us, but other times we need to take a step back and be very conscious of our blind spots, such as when we enter a new market, whether that’s geographic or otherwise. This is not as simple as it sounds when you are a manager or running a company; making a wrong decision in a new market is a scary thought and can lead to major consequences. It is easy to acknowledge that everyone has blind spots, but only when one understands the root of our own personal management psychology can we truly make an informed, unbiased decision.

When you’re making the hire, you might consider giving a long look to that candidate who firmly disagrees with you on the approach but has a proven track record of success in the new market. This way, you’re conscious of your own pitfalls and can actually use it to your advantage, by finding someone who disagrees with you in certain respects. And you can have confidence and trust in their execution given their prior record. Feel and embrace the discomfort that will surely come with this decision which stems from natural human tendencies. Let go, trust, and empower. This takes tremendous mental discipline but could be a practical way to make better hiring decisions.

【We welcome all AI, Blockchain, NFT, or Southeast Asia founders to join AppWorks Accelerator

Photo by Dylan Gillis on Unsplash

How Founder-CEO Better Set up Their Startup for a Successful IPO

Sophie Chiu, Associate (邱敬媛 / 投資經理)

Sophie is an Associate in the investment team. Before joining AppWorks in 2020, Sophie had 10 years of experience covering public equities. She was part of the portfolio management team at Neuberger Berman, focusing on emerging market opportunities. Prior to that she served as a research analyst at Credit Suisse, JPMorgan, and London-based Autonomous Research. Sophie holds a Master of Finance with distinction from Warwick Business School and BS Finance from National Taiwan University. Her passion and expertise, however, extend far beyond just researching companies and industries. She is also an author of two published poetry books and holds a keen interest in human psychology and human behavior.

Whilst founders and early investors often regard an initial public offering (IPO) as an end goal, public market investors rather see it as the company’s first debut, akin to the NBA draft. With that said, there are some key qualities that the capital market looks for in a public company. In fact, there is already a standard of what is regarded as a ‘good IPO.’ I believe by understanding this, mid-to-late stage founder-CEOs can design a more structured roadmap for going public, or even rethink whether an IPO is actually the best option for their company. This piece of article is more written for growth stage founder-CEOs. However, if you’re an early-stage founder, I believe this article can also shed some light on what is ultimately valued the most in the sometimes arcane process of filing for an IPO. 

Trust is what helps companies earn long-term loves in the public market. It’s a playing field with big guys that have already proved their sustainability, building layers upon layers of trust as each quarter passes. Trust is cultivated not only through data (a result of management and operation), but also through market reaction. This means, executing a good or even strong IPO is indeed very important because the trust is then solidified from day one.

Three qualities: Growth, Size, and Momentum

From my 10 years of experience in both brokers and asset management firms, I see growth, size, and momentum the three qualities that overwhelmingly dictate the success of an IPO. Usually a banker would prepare a scorecard, rating a handful of factors that advise the parameters of a public offering. But, these three in particular have an outsized impact on a company’s debut, and understanding their underlying mechanics can help founders become more informed before they enter the negotiating room and differentiate true advice from sweet words. I will also introduce a few unfortunate case studies to help illustrate the importance of these factors. 

Growth

Growth, like in any fundraising process, is the most important factor. In the public market, growth expectations are not as high as in private, early-stage startups where 100% month-over-month is the norm. However, a 3-year compound annual growth rate (CAGR) of 50-60% is still an ideal benchmark to strive towards, at least for a technology company. Consequently, timing of an IPO is a key consideration for startups; list while there are still strong growth prospects, otherwise poor market feedback is all but certain.

Candy Crush Saga, a staple among every grandma’s home screen, had gone through such pain. Its Irish parent company, King Digital Entertainment (delisted in 2016), first filed for an IPO in September 2013. Soon in December 2013, news about King’s consideration of delaying the IPO due to market concerns about the sustainable growth of the company had spread. Back then, Candy Crush Saga accounted for over 75% of King’s gross bookings and it has already reached 500 million downloads, topping the charts of the iTunes store. From the IPO filing, monthly unique players (MUPs) had already declined in the latest quarter by 6.5% , whilst gross bookings and revenues dropped 2-3%. This implied a negative signal for the growth expectations post IPO. The resulting impact on King’s stock price was evident, down 16% on the day of the IPO, with its valuation dropping US$ 2 billion (from US$ 7 billion) in the span of two months. Moreover, the follow-up financial reports confirmed the market’s concerns; King delivered a mere 20% in revenue growth in 2014, and subsequently declined 25% in 2015.

Chart: KING already showed a decelerating trend of MUPs and Gross Bookings in the last reported
quarter (4th quarter in 2013) before IPO.

Size   

Size is a very important factor, but often overlooked by many startup founders; although, it may matter less if the growth rate is significant, say 80-100% year over year. Size encompasses both a company’s market cap and daily trading value and collectively determines the number of investors that can potentially participate. In Asia, the most ideal professional fund size is at least US$ 1-3 billion, which means an average position would be minimum US$ 20 million. This implies two things: (1) since most funds are not allowed to own more than 10% of the company, there’s an implied minimum market cap of US$ 200 million; and (2) even if a fund is willing to trade for 60 days (three months of working days) to buy enough shares, it means the daily trading value needs to be US$ 1.6 million at least (assuming a fund would not trade more than 20% of the amount to avoid affecting the price). However, the math here represents the bare minimum case. Most investors consider US$ 500-1,000 million as the bottom threshold for market cap, with anything below yielding very little appetite.

Many startups in Asia might face issues here. In Taiwan, it is a very common experience. For example, we have Kuo Brothers (8477 Taiwan), one of the main e-commerce players that was listed at a valuation of only US$ 30 million. This already implied a potential daily liquidity lower than US$ 1 million, greatly limiting the size of the potential investor pool. I was fortunate enough to chat with the chairman of Kuo Brothers Jerry Kuo and get his thoughts on this matter: “We certainly recognise the limit from our size, which actually leads to Kuo Brothers being greatly undervalued. However, coming to the public market still has its beauty, especially in talent recruiting and business expansion, at least for Kuo Brothers at the current stage. I believe in time the market will recognise our value as we grab more shares from this highly potential market in Taiwan.” 

Despite many Southeast Asian stock markets sharing similar features as Taiwan’s, founders in this region have long recognized the necessity to expand and reach a certain scale before even thinking about filing for a public offering. Sea Group’s 2017 IPO on the NYSE paved the way for Southeast Asian startups. It was the first unicorn from the region that went public at a valuation of over US$ 4 billion. Many other unicorn startups in excess of that size including Grab, Traveloka, and Gojek are now on deck.

Momentum

Momentum is the last but no less critical factor for a successful IPO. When I say momentum, I mean the market reaction in the first couple of days or months preceding a company’s first day of trading. Some may regard momentum as a function of trading or expectation management. I would define it as a reflection of a founder’s ability to deliver on their promise to the market. Momentum is generated only if a company achieves, if not exceeds  its forward-looking guidance. It is about execution. If there are any technical matters to take into consideration, at most I would suggest avoiding setting your listing window during major political or economic events such as elections or Fed meetings.

I would categorize momentum into three stages. These stages all matter, but it’s better if a company builds a strong momentum throughout, or at least exhibits a gradually recovering trend.

Stage 1: The IPO day – I would recommend that a company must never underestimate IPO day. It very often sets the tone of the market reaction. It is a direct reflection of the market’s appetite or view of the IPO pricing, and future growth potential. When deciding the IPO valuation, higher doesn’t necessarily always mean better; a valuation on the high end could lead to inflated expectations and therefore a higher probability of price correction on IPO day.

Stage 2: Before the first reporting – Investors tend to build some buffer in their model. They tend to apply some, if not a major discount to the guidance outlined in a company’s IPO prospectus. That is why expectations are rather mixed and vulnerable before the first reporting. Do not do anything that leads to further doubt. Again, it is about execution. A company should deliver what it has promised, signalling that the business is on track and in good hands. Any mistake (or misfortune) at this stage could instantly break investor trust, requiring an extensive amount of time and effort to rebuild it.

Stage 3: First reporting day – A company should deliver a good set of results that are in line with the guidance provided during the IPO process. The market reaction on the first reporting day will anchor a basic view on the company. If the reaction is strong, the company would have secured a solid level of trust among investors. On the other hand, a bad reaction would take extra effort and time to rebuild the company’s positioning in investors’ minds.

Snap’s IPO in 2017 is a great example here. Although Snap’s share price surged 44% on the first day of trading, the stock price soon lost momentum. Major reasons were related to the uncertainty of the IPO valuation, which was at 62x P/S ratio vs. Twitter’s 4x and Facebook’s 13x back then. Stock price fell 50% from the peak before the first reporting in the second quarter of 2017. However, the results made the situation worse. New installs of Snap dropped 21% year over year, comparatively worse than Instagram’s 8% year-over-year increase in the same period. Revenues and user growth also undershot, eliciting deep disappointment among investors and sending the price of its stock even lower. After this, Snap hovered at a low-price range for two years until they managed a comeback in 2019.   

Focus on your flywheel

Given the qualities discussed, I hope you now have a better idea of what exactly it means to be IPO-ready. My final piece of advice echoes popular sentiment among the most common early-stage pitfalls to avoid—premature scaling. Do not prematurely go into an IPO for the sole purpose of competing against the big guys.  We all agree that going IPO has its merits: It offers an exit for your early investors, and lets veteran employees realise the value of their ESOP and efforts. In the meantime,  the public market is indeed an effective and open place for (friendly) funding. However one should not ignore the fact that public market investors are not like the VCs and angels who spend years watching your company grow. Every inch of your ambition, vision, and execution are now under the eye of public scrutiny, where investor reactions tend to be immediate and widely irrational. So irrational, in fact, that an entirely new field of study has emerged called behavioral finance, where a handful of psychologists and economists have already been awarded Nobel Prizes. When expectations go sour, both valuation and liquidity (trading value) drain even faster. This vicious cycle can significantly impede the value and momentum of your business, taking years to build up again.

Therefore, I would highly recommend growth stage founders put a proper plan in place when considering an IPO. Make sure you have good growth, good size, and good execution and hence can deliver good initial momentum. Only then will you be in a position to reap the full benefits of the public market.

【We welcome all AI, Blockchain, NFT, or Southeast Asia founders to join AppWorks Accelerator

Photo by Ahmad Ardity on Pixabay

未來已來!廣告、訂閱模式後,不要錯過 NFT 的媒體浪潮

Antony Lee, Communications Master (李欣岳 / 媒體公關總監)

負責媒體與社群溝通相關輔導。加入 AppWorks 前有 18 年媒體經驗,是台灣第一批主跑網路產業的記者,先後任職《數位時代》副總編輯、《Cheers 快樂工作人》資深主編、SmartM 網站總編輯。畢業於交大管科系,長期關注媒體產業變化,熱愛閱讀商業與科技趨勢、企業與人物故事,樂於與人交流分享,期許自己當個「Internet 傳教士」。

過去幾個月,NFT 熱潮瞬間吸引了極大的關注。幾乎每一週,都有主流媒體報導某位藝術家、藝人、球星、創業家的 NFT 商品賣出高價。在這些讓人目不暇給的新聞中,美聯社 (The Associated Press) 、《時代》雜誌 (Time)、《紐約時報》(The New York Times) 也快速推出 NFT 的應用,我覺得對媒體產業的意義更大,因為,這象徵了媒體產業即將進入 NFT 的新時代。

3 月 11 日,1846 年創立、今年已 174 歲的美聯社完成 (可能是) 新聞史上首顆 NFT 拍賣。美聯社為了紀念 2020 年拜登與川普的選戰,成為第一次在區塊鏈上鏈的美國大選,將投票結果製作成數位藝術作品「A View from Outer Space」,以 NFT 的方式開放競標,在這幅創作中,以外太空的視角,美國各州分別以藍色或紅色標示,代表著拜登或川普在各州勝出。最終以 100.9 顆以太幣成交,以當時幣價計算,約等於 18 萬美元。

Source: OpenSea

3 月 22 日,1923 年創立,今年已 98 歲的《時代》雜誌,宣布以 NFT 型式拍賣過往三期的雜誌封面,分別是「上帝已死?」(1966 年 4 月發行)、「真相已死?」(2017 年 4 月發行) 、「法幣已死?」(2021 年 3 月發行),最高拍賣價格為「真相已死?」的 88 顆以太幣,以當時幣價計算,約等於 13.8 萬美元。隨後,《時代》雜誌也陸續將多期對人類具有歷史意義的封面,以 NFT 型式拍賣,例如 「Amateur Photographer」(1953 年 11 月發行)、「Space Exploration」(1959 年 1 月發行)、「The Telephone Man」(1959 年 2 月)、「The Computer in Society」(1965 年 4 月發行) 等,分別象徵照相機、太空探索、電話、電腦走入人類世界。在概念上,類似以 NFT 發行前期雜誌的復刻版。

Source: SuperRare

3 月 25 日,1851 年創刊,至今已 170 歲的《紐約時報》,專欄作家 Keven Roose 就將一篇網站文章〈在區塊鏈上買這篇專欄〉(Buy This Column on the Blockchain!),以 NFT 型式進行 24 小時拍賣,他並在專欄中問道:「為什麼記者不能也加入 NFT 派對?」最終,這篇專欄的 NFT,以 350 顆以太幣結標,用當時幣價計算,約等於 56 萬美元,並將所得捐給《紐約時報》旗下擁有 110 年歷史的 Neediest Cases Fund 慈善基金,未來每一次轉手交易,這個基金可以再獲得 10% 的版稅 (Royalty)。

事實上,台灣媒體在 NFT 領域已有初步切入,並非一片空白。4 月 19 日,「台灣事實查核中心」的兩篇作品,被交易平台 FACTS-NFT 選為第一波推出的查核報告 NFT 收藏品,鼓勵大眾以 NFT 的方式支持查核組織運作,共同打擊假新聞。在第一個月,每則查核報告會以 0.05 顆以太幣交易,事實查核組織將獲得 86% 的交易價值,14% 是平台的服務費用,事實查核組織也能夠在每次的轉手交易中,抽取 10% 的費用。

媒體報導新科技、新應用、新商業模式並不稀奇。值得注意的,則是在全球擁有廣泛影響力的百年媒體,選擇在 NFT 發展初期,就積極下海測試水溫,啟動新商業模式的數位轉型,因為 NFT 正預示了另一個媒體新時代來臨。

儘管時空條件並不相同,但相較於 Internet 的發展歷史,NFT 走入人們生活,進入主流媒體的報導視野,所需的時間極短。Internet 技術的前身 ARPANET ,早在 1960 年代就已誕生,但直到冷戰結束後的 1990 年代,才進入商業化,在 1995 年劃時代網路股 Netscape 成功 IPO 後,Internet 才獲得主流財經媒體的關注和報導,還要再等 5 到 10 年甚至更久以後,媒體產業才進入內容數位化、網路原生內容、數位內容訂閱等數位轉型。以太坊上的 NFT 技術協定,在 2017 年 9 月被首度提出,2018 年 6 月才被確認成為業界標準,距今僅有 3 年。

人們閱讀、獲取資訊與觀點的需求不會消失,只會轉移。可以預期,除了傳統媒體擁抱 NFT 之外,未來 3 到 5 年,將有一波建立在 NFT 模式上的新媒體創業潮。一如在 Internet、Mobile Internet 帶來的典範轉移下,因使用、閱讀行為轉變,帶動各種數位原生、行動原生、社群原生、知識訂閱原生媒體的創業熱潮。 

NFT 是 Non-Fungible Token 的縮寫,中文翻譯是「非同質代幣」,也就是「同質代幣」(Fungible Token) 的對比。不管是紙鈔、硬幣,或是比特幣、以太幣,都屬同質代幣,每一個單位皆等值、相同,今天我借你十顆以太幣,下個月你再還我十顆,儘管是不同的十顆,但價值都一樣,借貸雙方都會接受;非同質代幣則每顆雖然近似,但卻並不盡然相同,某位明星球員的球員卡 NFT,編號第 1 號、第 88 號、第 5487 號就是不一樣。NFT 可應用在資產的數位擁有權證明。

正因為每個 NFT 都是獨一無二,所有交易紀錄和擁有證明都紀錄在區塊鏈上。所以 NFT 具備了收藏的價值,不論是文字、影片、音樂、插畫、數位藝術品等各種可以數位形式發行的商品,只要具備收藏價值,都有可能以 NFT 的形式發行。

相比廣告和訂閱,能為媒體帶來更大的營收

對於媒體創業者,乃至於整體產業來說,NFT 很可能是繼廣告模式、訂閱模式後,第三個重要的商業模式,重要性以及為媒體創造的營收,將超越前兩個商業模式。廣告、訂閱、NFT 模式,分別對應的是讀者、訂戶、粉絲三種媒體使用者的類型,用行銷漏斗來解釋,上層是讀者 (廣告模式)、中層是訂戶 (訂閱模式)、下層是粉絲 (NFT 模式);用簡單的經濟學模型來解釋,在需求曲線之下,NFT 模式能為媒體創造最大面積的營收、其次是訂閱模式,廣告模式則最差。三個模式的營收潛力與其他特色,分別分析如下:

聚集讀者的廣告模式

從營收角度來說,廣告模式的成果最差。媒體需要靠特定主題聚集、吸睛一批免費閱讀的讀者,以此來賣廣告版位獲取營收,以流量為經營重點。但在資訊爆炸、人人注意力有限的情況下,要吸引讀者閱讀內容的難度越來越高,任何單一媒體要靠提升流量拉抬廣告業績,將越來越辛苦。此外,對媒體來說,數位廣告整體儘管仍在成長,但卻越來越難賺,大部分的廣告營收,都集中在少數科技巨頭身上,例如,2020 年美國的數位廣告市場,Google 與 Facebook 兩家就拿下 55.6% 的市佔率,而市場朝向科技巨頭傾斜的情況,短期內很難翻轉。

此外,以點擊數來衡量內容優劣,也降低了媒體願意投入時間、人力、金錢製作好內容的動機。為了追求流量,媒體只能選擇讀者最大公約數的主題和內容,最後結果,往往造成網路上到處都是類似的免費內容,而深度、優質、有影響力,但讀者基數相對較小的主題與內容,在這樣的模式下,則越來越難出現。

爭取訂戶的訂閱模式

相較廣告模式,訂閱模式的營收潛力較佳。訂閱模式的關鍵,在於媒體聚焦某個特定主題,長期持續產出品質穩定的內容,以贏得訂戶的信賴 (訂戶願意預付未來一年的費用,訂閱某個媒體的內容,代表訂戶相信未來一年內,能持續收到符合期待的內容)。雖然可因此創造比廣告模式更多營收,但一致的訂閱價格,代表與每一位訂戶的關係,等同於無差異的 Commodity,缺乏具體衡量每個內容價值的機制,有無法做到差異化訂價的限制。

此外,近年訂閱制興起,加速造成媒體產業 M 型化,擁有全球品牌形象的大媒體,或是具有特色利基的個人與微型媒體,是這個趨勢下的贏家。對絕大多數的媒體來說,要依據媒體屬性、閱讀行為等考量,在官網上建立起付費牆、訂閱機制,都是不小的技術門檻,再加上數位訂閱不受地理限制的特色,讓擁有全球性權威品牌形象的媒體,得以在訂閱模式中大幅勝出,根據 FIPP 與 CeleraOne 統計,全球目前達到 10 萬訂戶等級的媒體網站,共有 38 個,其中一半來自英語系媒體,例如《紐約時報》、《華盛頓郵報》、《華爾街日報》、《金融時報》、《經濟學人》等,皆是全球在各媒體領域的龍頭,另外一半,幾乎是各語系中的唯一代表,例如,中文或日文僅各有一家媒體網站。對於中型、區域級、侷限在單一國家的媒體,推廣訂閱制並不容易,很難在訂戶規模上獲得太大突破。

反而是一人或微型媒體,更有突破的機會,因為這類媒體的營運成本低,外部生態系的支援日趨成熟。根據 Antler 估計,在創作者經濟 (Creator Economy) 的生態系中,全球目前共有超過 220 個平台或技術開發商,例如電子報平台 Substack 等,提供各種服務與技術解決方案,讓創作者專心創作內容,直接帶動這幾年一人或微型媒體加速興起,例如英語電子報的 Stratechery (作者為居住在台灣的 Ben Thompson),或是中文電子報的《科技島讀》(好可惜將在 6 月停刊),都是一人媒體的代表,但在相關的科技與網路產業內,卻有不輸多數單一媒體的訂閱戶或影響力。

經營粉絲的 NFT 模式

和前兩個模式相比,NFT 模式的營收潛力最佳,因為它可彰顯每個內容不同的價值。在 NFT 模式下,營收來自粉絲的熱情支持,依據個人的喜好購買 NFT 商品,每一個 NFT 對每位粉絲來說,都有不同的價格,由價高者獲得。

衡量每個 NFT 的價值,技術並非主要考量,最重要的關鍵,在於發行者的 IP 或是 NFT 內所涵蓋的內容。好的內容來自有特殊的歷史意義、創新的表達方式、獨到的詮釋觀點與角度⋯⋯等各種面向,也因此,媒體用心製作的好內容,在 NFT 的模式下,將有更多元、更有效率的內容變現機會。

《連線》(Wired) 雜誌創辦人、科技趨勢思想家 Kevin Kelly 在 2008 年的經典文章「1,000 位鐵粉」(1,000 True Fans) 就預言:「成功的創作者,你不需要數百萬位客戶,你只需要 1,000 位鐵粉 (True Fans),這些鐵粉,會購買任何你創造的商品。」

對媒體來說,NFT 模式則將 Kevin Kelly 的預言更進一步實現,因為鐵粉有更方便、更實質的支持方式。以我個人為例,從小就愛閱讀雜誌、大學編校刊,從第一份工作開始投入雜誌與媒體工作 18 年,至今仍收藏許多雜誌,例如 911 事件、Michael Jackson 過世、Steve Jobs 過世、歐巴馬首度當選美國總統、Facebook 用戶突破 10 億人⋯⋯等重要歷史事件,我都會選擇我最信任的雜誌品牌,購買能提供我最權威、最具歷史意義觀點的當期雜誌來收藏,甚至會購買收藏特殊期數的復刻版;在雜誌工作時,也經常會有企業、受訪者或是教學單位,希望授權報導的文字內容、照片、資訊圖表 (通常收不到什麼錢)。在 NFT 模式下,這些行為都變得更有意義與價值,媒體有更具體的變現與獲利方式,收藏者手中具有歷史意義、特殊價值的媒體內容,也有了更客觀與便利的鑑價和割愛交易方式。

對 NFT 長線發展樂觀看待的兩個原因

為什麼我對 NFT 對於媒體產業未來的發展如此樂觀?來自中期與長期共兩個原因。

中期的原因,是各種區塊鏈應用快速進化的特質。至今,建構在區塊鏈技術上的加密貨幣資產,曾一度突破 2.5 兆美元,儘管價格乖離、波動劇烈,但並無損區塊鏈、加密貨幣資產價值長期向上的趨勢,而受限各國防洗錢、監管等規範,加密貨幣兌換各國法幣仍有諸多限制,實務上仍有許多不便之處,等於將這些加密貨幣資產「鎖」在區塊鏈的平行時空中。

這也間接為區塊鏈技術,提供了完美的快速疊代條件。任何區塊鏈上的創新應用,都有可能在加密貨幣的世界中快速獲得市場反饋、進入商業化應用,就如同進化論一般,多數遺世獨立的小島上,會在極短的時間內,演化出十分多樣性的獨特物種,就像過去幾年,區塊鏈這座島上,不論是比特幣、ICO、智能合約、DeFi 或現在的 NFT,每隔幾個月就會橫空出世新商業模式吸引大眾目光,NFT 能在不到 3 年的時間,創造可觀的關注與影響力,就是證明,而 NFT 對於媒體產生的革命,也會比 Internet 來得更快、更具巔覆力。

另一個長期的原因,則是區塊鏈以及 NFT 對於經濟與社會將帶來更深遠的影響。過往 30 年來,人類社會共經歷兩波大型的數位化遷徙浪潮,第一波是 Internet,將各種實體世界的資訊數位化;第二波則是區塊鏈,正在將各種實體世界的價值數位化。

在 Internet 的典範轉移下,誕生了電子商務,從最初將既有的實體零售,移轉到網路上。隨後再逐步發展出電商平台、垂直電商、廣告導購、社群電商、直播電商、行動電商、OMO 虛實融合等原生的商業模式,並產生了 24 小時隨時可購物、4 小時就到貨這些全新的使用行為;在區塊鏈的典範轉移下,NFT 就像是每一個獨一無二的商品,都能在區塊鏈的世界中取得對應的價格,目前出現的應用或商業模式,都仍屬於向下相容、傳統模式轉型,對照過往電商的發展,都還在非常早期的發展階段,隨著產業生態系更成熟,會有更多原生的應用和商業模式誕生。

在媒體產業歷經廣告模式、訂閱模式的探索與商業化後,更不該錯過 NFT 模式。NFT 不僅不會和前兩個模式產生衝突 (媒體的廣告和訂閱模式,在擴大流量與內容聚焦上,有許多衝突之處),需要砍掉重練才能切入,還能創造更大的營收來源,可用來招募更多優秀的記者、編輯、攝影、美術,製作更優質、更有意義、更值得被收藏的報導、照片、影片、資訊圖表等內容,而這些在 NFT 模式下,都是具有價值的內容資產。

這不僅適用於既有媒體的數位轉型,更有可能因此創造另一波新媒體創業熱潮,對數位轉型、經營挑戰皆不易的媒體產業來說,對於 NFT 帶來的難得契機,不僅不用妄自菲薄,更值得我們樂觀期待。

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